Madoi Soralel Ela (Madoi
composed in Medieval Bishnupriya Manipuri Language, 1650 A.D.
saloili, boksabadiya saloili, koiou durei oilita
tengara sinchat laloili, babaro matiou na deklo, kotou durei oilita
pampol tingdiya kadiri, ima bulia dahiri, kotou durei oilita
(Madai, a maiden of the Alakga family has been given in marriage to
Saralel, the king of the gods.) She starts for Soralel's place. She
stretches her hands, cries loudly, crosses over hills and dales and
goes far away. (Thus, she goes above in heaven.)
raja hunorta, hunorta raja hunorta
babro gorgo pureko, jeikga raja jeikga
najeiga madoi najeiga, tor babaro gorgo napurer
jeinga raja jeinga, hunarkeirak lama diyade
babaro gorgo purerko, jeinga raja jeinga
najeiga madoi najeiga, tor babro gorenajeiga
tor babro gore gelega huror pohu kheiteiga
huror pohu kheiteiga, modro sorap piteiga
modro sorap napitou, huror pohu naheitoi
hunar keirak lamade, jeingaraja jeinga
korifaba kheya jaga, hunarkeirak amadilu
tor bar gore gelega digali pirak naboheiga
modro sorap napisga, huror pohu naheisga
(One day, Madai hears a loud noise coming from below and, looking
downwards, finds that a mass of smoke is rising from her father's
house.) She tells the king that her father's house is in flames and
requests him to allow her to go to her father's house. Saralel first
tells her that her father's house is not on fire. When Madai expresses
her strong desire to go, he says that he, apprehends she may take meat
and wine if she goes to her father's house.
Madai promises that she will not take meat and wine there. Then
Saralel proposes that Madai should keep Kari Phaba, her son, with him
and go to her father's house alone. Madai accepts the proposal.
Saralel warns her not to sit on long couches. He then stretches
downwards a golden ladder.
Madoi gidei keirak lamaniye
dakou kurung bareitara, belao kekruk rhoeitara
madoi gidei keirak lamaniye
ningolo jethi ahili, digali piranikalei
naboitou baba naboitou, digali pirat naboitou
rajaro mana napeilu, naboitou baba naboitou
ningolo jethi ahili, modlo sorap nikalei
modro sorap nikalei, huror pohu radhedei
huror pohu neheitou, modro sorap napitou
modro sorap napitou, digali pirat naboitou
Madoi descends along the golden ladder. All look at her joyfully.
When she comes, her father orders the family-members to offer a long
couch to her. Midai declines to take her seat on the couch. Then, the
father ,orders them to offer her drink and meat, of boar cooked. Madai
declines to take wine and meat of boar.
Nadektoi ima nadektoi, tambul hathan tangtou e
mohori hathan khalkoro, homaga madoi piga
lomoilu baba lomoilu, lomoilu baba lomoilu
rajaro keirak tulloko, lomoilu baba lomoilu
na kadi karifaba, leipak thipi kariphaba
madoi gidei khamna laloiliye
Then, the father proposes to offer her wine at a place ,covered by
seven mosquito-nets, so that Saralel does not see her taking wine. (Madai
accepts the proposal. When she is just going to take a sip of wine,
Saralel spits from above, and the spit, passing through the seven
mosquito-nets, falls upon the wine-pot. Madai understands the matter.)
Looking behind, Madai finds that Saralel is lifting the golden ladder.
She is greatly shocked, cries loudly, consoles Kari Phaba from below
and passes over hills and dales.
Courtesy: Dr. K.P. Sinha, MA Phd, D Lit